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Topic: "The Best Years Of Our Lives" (Read 429 times)

luci
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"The Best Years Of Our Lives"
« on: Jun 19^th, 2005, 11:47am »

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Years ago, and I do mean YEARS, I saw this movie with my parents. At times while watching it, I would recall a scene. 1946 was a long time ago for me!
It's about 3 servicemen coming home after WW2
and their readjustment into life at home.
A movie worth your time, very moving!

7 Oscars were awarded to this movie and actors Cool

It can be rented from www.blockbuster.com

http://www.filmsite.org/besty.html

The Best Years of Our Lives (1946) is producer Samuel Goldwyn's classic, significant American film about the difficult, traumatic adjustments (unemployment, adultery, alcoholism, and ostracism) that three returning veteran servicemen experienced in the aftermath of World War II. In more modern times, Coming Home (197 Cool

portrayed the same plight of the returning serviceman. The major stars, who each gave the performance of their lives in this Best Picture winner, were:

Fredric March as the eldest returning veteran, alcoholic Army Sergeant Al Stephenson, married to loyal Milly (Myrna Loy)
Dana Andrews as handsome Air Force bombadier Fred Derry, involved in two romances - with party-girl wife Marie (Virginia Mayo), and in a new love relationship with Al's daughter Peggy (Teresa Wright)
Harold Russell (almost uncredited in the film) as sailor Homer Parrish (a WWII vet), the hometown's former football hero, with fiancee/girlfriend Wilma (Cathy O'Donnell)
The germinal idea for the literate, meticulously-constructed film came from a Time Magazine pictorial article (August 7, 1944) that was then re-fashioned into a novel titled Glory for Me by commissioned author MacKinlay Kantor. Kantor's blank-verse novel was the basis for an adapted screenplay by distinguished Pulitzer Prize winning scriptwriter Robert E. Sherwood (his earlier works were The Petrified Forest and Idiot's Delight).

The ironic title refers to the troubling fact that many servicemen had 'the best years of their lives' in wartime, not in their experiences afterwards in peacetime America when they were forced to adapt to the much-changed demands and became the victims of dislocating forces. [Photographs in the houses of each of the returning servicemen recall an earlier time that was irretrievably past.] The poignant, moving film realistically transports its present-day audiences back to the setting of the late 1940s, where the film's three typical protagonists return from their honored wartime roles to their past, altered middle-American lives and are immediately thrust into domestic tragedies, uncertainties, conflicts and awkward situations - handicapped (both physically and emotionally) by their new civilian roles. Wyler's Best Picture-winning Mrs. Miniver (1942) can be considered as a companion piece to this film, from the British perspective.

The superb, eloquent, and realistically-intimate film was nominated for eight Academy Awards and won seven Oscars: Best Picture (Samuel Goldwyn's sole competitive Oscar win), Best Actor (Fredric March - his second Oscar - the first was for Dr. Jekyll and Mr. Hyde (1932)), Best Supporting Actor (Harold Russell), Best Director (William Wyler - his second of three career Oscars), Best Screenplay (Robert E. Sherwood), Best Editing, Best Musical Score -- its nomination for Best Sound was the only one that failed to win.

NOTE-
Real-life double amputee (from a ship explosion) and one of the cast's inexperienced actors - Harold Russell received an additional Special Honorary Oscar "for bringing hope and courage to fellow veterans" for his first performance. [Russell is the only actor ever to win two Oscars for the same role. He wouldn't act again until Inside Moves (1980) and Dogtown (1997).]

Under-rated actor Dana Andrews was denied a deserved Oscar nomination, as a returning 'fly-boy.'

Oscar-winning epic director William Wyler's cinematographer, Gregg Toland, known for his depth of focus camerawork in previous films (such as Citizen Kane (1941) and The Little Foxes (1941)) contributed his talent to the three-hour long black and white film masterpiece with richly-textured and crisp images, deep-focus shots, and framed scenes. Wyler had experienced wartime himself in the US Army Air Corps, during which he made three morale-boosting, war-related documentaries: The Fighting Lady (1944),
The Memphis Belle (1944), and Thunderbolt (1945).
The film was producer Samuel Goldwyn's most successful and important work - he also was presented with the Irving Thalberg Memorial Award. The film was a major commercial success - the biggest box-office draw since Gone With The Wind (1939).
------------------------------------------------------------------------ The film begins abruptly with a long interior shot of an airport terminal, where returning-from-overseas serviceman Fred Derry (Dana Andrews) lugs his belongings and crosses a map of America on the floor. The war hero inquires at a receptionist's desk about flights to his hometown of Boone City [supposedly patterned after Cincinnati], and is told rather curtly: "Three scheduled daily flights sir, but there's no space available right now...We could probably get you on flight 37 on the 19th."
The film begins abruptly with a long interior shot of an airport terminal, where returning-from-overseas serviceman Fred Derry (Dana Andrews) lugs his belongings and crosses a map of America on the floor. The war hero inquires at a receptionist's desk about flights to his hometown of Boone City [supposedly patterned after Cincinnati], and is told rather curtly: "Three scheduled daily flights sir, but there's no space available right now...We could probably get you on flight 37 on the 19th." A businessman next to him (with a black porter handling his luggage and heavy bag of golf clubs) requests his airlines ticket which was pre-ordered and arranged by his secretary. The passenger is promptly handed his ticket and told he has sixteen pounds of excess baggage. He reaches for his wallet: "Oh, that's all right, how much is it?" Transportation shortages don't seem to affect everyday civilians as much as returning soldiers.

It is suggested that Fred find a ride on the ATC (Air Transport Command) of the Army Air Forces. In the ramshackle interior of the Army terminal's lounge, many other uniformed veterans have been waiting for the few available flights to their destinations. Fred and two other veterans, Homer Parrish (Harold Russell) and a graying Army Sergeant Al Stephenson (Fredric March), are placed on a long B-17 bomber flight with many intermediary stops for a two-day journey to Boone City. Parrish, a young Naval seaman, reveals that he lost both hands in combat - prosthetic, articulated hooks are replacements - when he signs the passenger list. They are relieved to be returning home after "a couple of centuries."

« Last Edit: Jun 19^th, 2005, 12:12pm by luci »

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yesteach
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Re: "The Best Years Of Our Lives"
« Reply #1 on: Jun 19^th, 2005, 9:39pm »

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The person I remember most in this film is Harold Russell, since as a child his hooks in place of hands made a huge impression on my mind. What I didn't know until years later is that he actually had lost his hands, if I recall correctly, in the war. He was brilliant in the part, and as you said - almost uncredited - and won an Oscar for his performance.

It was a brilliant movie!

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luci
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Re: "The Best Years Of Our Lives"
« Reply #2 on: Jun 19^th, 2005, 10:25pm »

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Yes, Harold and his hands were what I did remember.
Very sad this was true for him.
Notice how far between movies he was in are?

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yesteach
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Re: "The Best Years Of Our Lives"
« Reply #3 on: Jun 19^th, 2005, 10:28pm »

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I don't even remember him ever being in another one... the only other thing I remember him in is an episode of Trapper John (the one with Pernell Roberts). I saw "Best Years... " on the "midnight movie" (they used to have those when I was a child instead of infomercials). Years later when I saw him on Trapper John kept thinking.. I know that guy from somewhere.. and read something about him having been in that movie..

From IMDB:

Harold John Russell was born in Nova Scotia in 1914. His family moved to Cambrodge Massachusetts when his father died in 1919. He was training paratroopers at Camp MacKall NC on June 6, 1944 when some TNT he was using exploded in his hands. He lost both hands. After receiving hooks, and training on them, he was chosen to make an Army training film called "Diary Of A Sergeant". William Wyler saw the film and decided to change a character in his film _The Best Years Of Our Lives (1946)_ from a spastic to a double amputee. Harold Russell played "Homer Parish. For this role he received 2 Oscars, a Best Supporting and one for being an inspiration to all returning veterans. He is the only actor to receive 2 Oscars for the same role. After the movie he attended Boston University. He later went on to help establish AMVETS as a viable alternative to the American Legion for veterans, though his dream of an international veterans organization was never realized. He later appeared in _Inside Moves (1980)_ and _Dogtown (1997)_. He lived with his wife on Cape Cod in Massachusetts. He wrote 2 biographies: "Victory In My Hands" (1947) & "The Best Years Of My Life", (1981).

« Last Edit: Jun 19^th, 2005, 10:31pm by yesteach »

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